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Value Relationships in Color
Color Exploration continues… Have you ever wanted to create a light airy painting like the Impressionists commonly known as a High Key painting or have you wanted to explore creating a dark somber moody painting like the Old Masters’ painting referred to as a Low Key painting? The information below gives you more or less a “recipe” for helping you stay within the parameters of your choice, making for a successful painting. Happy Painting!
Value Relationships in Color
Choosing a Key to work in: Low Key, High Key, Middle Minor Key, or Middle Major Key
Value Scale: Using a scale of black and white with the Lightest value being white (#1) and the Darkest being black (#10). Colors can be assigned a value on the gray scale corresponding to its lightness or darkness. Keeping in mind a color’s value on the value scale will help you create a successful High Key, Low Key, a Middle Minor, or Middle Major Key painting.
Low Key Minor: Working from a value range of say, 10 - 5
Low Key Major: Working from say, 10 - 5, but reaching into light for accent.
High Key Minor: Working from a value range of 5 – 1 (close in value) used by the Impressionists.
High Key Major: Working from a value 5 - 1, but reaching into dark for accent.
Middle Key Minor: Working in a close range from around 7 – 3
Middle Key Major: Working with a full range of values.
Professionals usually work in the first four or all choices with the full range being the most difficult to control.
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1 Response to Value Relationships in Color
Judy Moyer
via maggieleiby.com140 months ago
These blogs about color are terrific. I love the way things are summarized and explained. Thank you so much for making the effort to share this information. In addition, your earlier blogs are inspiring; I believe, you have two special gifts. Thank you for sharing!
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